My story began as an unmotivated, naive, film student turned bartender and ski bum. After turning the ripe age of 30, I realized slinging drinks for the rest of my life wasn’t necessarily the path I wanted to take. Fast forward one year later and I found myself working as an unpaid assistant editor, where the professional and experiential currency outweighed the reality that I was a late bloomer in the whole adulting thing.

Fast forward eight more years, and while I’m still figuring out how to be an adult at times, I have at least found myself fortunate enough to continue my professional career. My experiences from working through the necessary ranks as an editor have had a deep influence on my professional identity, where I’ve learned to play the role of both therapist and problem solver with directors, cinematographers, producers, agency creatives, and editors alike. I’ve also worked every role as an editor, most recently as the Lead Editor and Post-Supervisor for one of Denver’s elite production companies, before deciding to venture back out on my own in search of personal and professional growth, variety, and the opportunity to collaborate with new and unique creatives in the industry.

Today, my humble identity as an editor is rooted in authenticity and appreciation for the many layers and processes you endure throughout post-production. I’ve spent many days, months, and sleepless nights ensuring each project crosses the finish line, and I take a lot of pride in my attention to detail and even-keeled approach with looming deadlines or the inevitable shift in creative direction.

When I’m not working I enjoy walking around aimlessly taking photos, people watching, napping, being in nature hundreds of miles away from a computer screen, or sitting in front of a large screen watching films with a giant bowl of popcorn and Peanut M&M’s.